CREATIVE TEAM

HANK NEIMARK
STAGE DIRECTION

Hank Neimark has had a busy number of years working in the theater scene up here in the Hudson Valley, proudly having Directed the acclaimed pro-duction of Mark St. Germaine’s DANCING LESSONS for Perform-ing Arts Of Woodstock and in the same capacity on Andrew Bergman’s comedy SOCIAL SECURITY, also for Performing Arts Of Woodstock.

Hank has served as Co-Director for Woodstock’s popular Summer Shakespeare Festival under the aegis of the Bird-On-A-Cliff Theater Company and he Directed their production of Bakersfield Mist during the 2022 season.

A STROLL DOWN A DUSTY MUSICAL ROAD starring Wallace Norman was Hank’s first production at Phoenicia Playhouse. His second are the two works by the venerable Luigi Pirandello which you will see today.

MONICA BELL
NADA in Chee Cheé

Coming Soon.

JORDAN zakka

(Title Role Chee Cheé, Chee Cheé) Jordan is a Woodstock based actor who attended conservatory at the American Academy of Dramatic Arts. Jordan is excited to be back for a second show @ Phoenicia Playhouse to help close out their 50th Season. The first being Conrad Birdie in Bye Bye Birdie in the summer of 2025. He just completed a production called LEGACY with Voice Theatre last month and is grateful for the opportunity to play in Luigi Pirandello’s vivid world with this talented cast. Favorite recent credits: Antipholous of Ephesus in Columbia County Players Comedy of Errors, Andrey Prozorov in Voice Theatre's Three Sisters, Dimitri Gurov in Melania Levitsky's CHEKHOVEK, Adam Sorenson in MATH's The Shape of Things. Insta: jordanzakka

WALLACE NORMAN

(The Comuter, The Man With a Flower In HIs Mouth and Commendatore Squatriglia in Chee Cheé)

WALLACE NORMAN is the founder and Producing Artistic Director of Woodstock Fringe. Beginning in 2002 and for more than a decade. Woodstock Fringe produced the annual Woodstock Fringe Festival of Theatre and Song. The first Festival of Theatre and Song spanned two weeks. Ten years later the festival was six weeks long. Over the course of that decade, Woodstock Fringe was the producer and host of some 400 performances of original plays, solo performance art works, chamber opera, puppet theatre, concerts of new American songs, high-art clown shows, and readings of more than 50 new plays.

IWallace is a playwright, director, actor and singer. He has appeared in more than sixty-five productions in Off-Broadway, Regional, Stock and Hudson Valley theaters. Wallace has been a soloist at Carnegie Recital Hall and participated as a singer in the Eugene O'Neill Playwrights Conference Cabaret Symposium. For years prior to moving to Woodstock, Wallace was a denizen of the Off-Off Broadway arena in New York City. In his city days Wallace produced over 30 works for the stage. He was a founder of The Gilgamesh Theatre Group, part of the “At The Beckett Theatre Campaign" on 42nd Street in NYC. Norman also has enjoyed a long and artistically rich association with Golden Fleece, The Composer Chamber Theatre. At the beginning of his theatrical career he was mentored by Lou Rodgers, Artistic Director of Golden Fleece both as a performer and theatre producer.

Wallace trained extensively at the Herbert Berghoff Studio in NYC and at the London Academy of Music and Dramatic Arts. He taught acting at Nassau Community College.

Plays recently directed in the Hudson Valley include: The Realistic Joneses, by Will Eno (Performing Arts of Woodstock); Breaking The Code, by Hugh Wittemore; Happy Days, by Samuel Beckett, produced by Woodstock Fringe; Proof, by David Auburn; It Can’t Happen Here by Wallace Norman; Old Hickory, by Ric Siler; Women on Fire, by Irene O’Garden, The Great Nebula in Orion, by Lanford Wilson and Oh Virgil!, A Theatrical Portrait by Wallace Norman.  Oh Virgil! was commissioned by the Virgil Thomson Foundation.

Norman’s critically acclaimed one-act play Brother’s Keeper, has been performed in Dublin at the International Gay Theatre Festival, at the Edinburgh Fringe, in Woodstock at the Byrdcliffe Theatre and at the Phoenicia Playhouse.

DAVID SMILLOW

(The Man, The Man With a Flower In His Mouth)

After a hiatus of a year-plus from acting, David’s returning, and returning to a venue he’s very familiar with. He’s appeared in Wait Until Dark, Oleanna, Boeing, Boeing, and Blue Christmas at the Playhouse (as well as a number of staged readings) over the years. He couldn’t be more pleased to dive into Pirandello this time around. There’s nothing like a challenging role to get the juices going again. Many thanks to Wallace Norman and Hank Neimark for their friendship, support, talent and commitment. They have not only made this project possible, but a dream to work on.